ericmarth:

In the fall of 2012 the Yale University Art Gallery hosted the film series Out of This Same Light - Six Films Considered by Robert Adams in conjunction with the retrospective Robert Adams: The Place We Live.

The accompanying program included text about each film written by Adams himself, and a few dozen titles for further viewing. I’ve been unable to find any notes online about the series or the program and thought I’d share Adams’s list here.

What follows are forty-one movies hand picked by Robert Adams, “Some favorite movies, some as tough as they come, a few mostly for laughs… all to help us better endure or enjoy life…”


Our Hospitality
Buster Keaton and Jack Blystone
1923, United States

Go West
Buster Keaton
1925, United States

The General
Buster Keaton
1926, United States

You’re Telling Me!
Erle C. Kenton
1934, United States

A Night at the Opera
Sam Wood
1935, United States

The Grapes of Wrath
John Ford
1940, United States

The Shop Around the Corner
Ernst Lubitsch
1940, United States

Roma, città aperta (Rome, Open City)
Roberto Rossellini
1945, Italy

My Darling Clementine
John Ford
1946, United States

Hamlet
Laurence Olivier
1948, United Kingdom

Banshun (Late Spring)
Yasujiro Ozu
1949, Japan

Bakushu (Early Summer)
Yasujiro Ozu
1951, Japan

Tokyo Story
Yasujiro Ozu
1953, Japan

Ordet (The Word)
Carl Dreyer
1955, Denmark

Pather Panchali (Song of the Little Road)
Satyajit Ray
1955, India

Richard III
Laurence Olivier
1955, United Kingdom

Paths of Glory
Stanley Kubrick
1957, United States

Wild Strawberries
Ingmar Bergman
1957, Sweden

A bout de souffle (Breathless)
Jean-Luc Godard
1960, France

Winter Light
Ingmar Bergman
1962, Sweden

Ma nuit chez Maud (My Night at Maud’s)
Eric Rohmer
1969, France

Five Easy Pieces
Bob Rafelson
1970, United States

A New Leaf
Elaine May
1971, United States

Annie Hall
Woody Allen
1977, United States

The In-Laws
Arthur Hiller
1979, United States

Manhattan
Woody Allen
1979, United States

Gregory’s Girl
Bill Forsyth
1981, United States

La notte di San Lorenzo (The Night of the Shooting Stars)
Paolo and Vittorio Taviani
1982, Italy

Local Hero
Bill Forsyth
1983, United States

Broadway Danny Rose
Woody Allen
1984, United States

Comfort and Joy
Bill Forsyth
1984, United States

The Trip to Bountiful
Peter Masterson
1985, United States

Le rayon vert
Eric Rohmer
1986, France

Moonstruck
Norman Jewison
1987, United States

Conte de printemps (A Tale of Springtime)
Eric Rohmer
1990, France

El sol del membrillo (Dream of LIght [Quince Tree of the Sun])
Victor Erice
1992, Spain

My Cousin Vinny
Jonathan Lynn
1992, United States

Fargo
Joel Coen
1996, United States

Conte d'automne (Autumn Tale)
Eric Rohmer
1998, France

Meek’s Cutoff
Kelly Reichardt
2010, United States

Timestamp: 1530425751

merulae:

Frank O’Hara, from Meditations in an Emergency

Timestamp: 1530418257

huariqueje:

Marina   -     Felice Casorati ,  1931

Italian, 1883-1963

oil on panel,  15 5/8 x 15 ¾ in. (39.7 x 40.2 cm.)

Timestamp: 1530417935

everythingelse-shanlarue:

“If you were still around I’d tear into your fear Leave it hanging off you In long streamers Shreds of dread I’d turn you Facing the wind Bend your spine on my knee Chew the back of your head Til you opened your mouth to this life”

— Sam Shepard, Motel Chronicles (1982)

kittiesgomiaou:

“We all need someone to look at us. we can be divided into four categories according to the kind of look we wish to live under. the first category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public. the second category is made up of people who have a vital need to be looked at by many known eyes. they are the tireless hosts of cocktail parties and dinners. they are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. this happens to nearly all of them sooner or later. people in the second category, on the other hand, can always come up with the eyes they need. then there is the third category, the category of people who need to be constantly before the eyes of the person they love. their situation is as dangerous as the situation of people in the first category. one day the eyes of their beloved will close, and the room will go dark. and finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. they are the dreamers.”

The Unbearable Lightness of Being by Milan Kundera

childrenofsemina:

“There are things that can be accomplished only by violence. Physical love is unthinkable without violence.” 

• antoine d’agata   • milan kundera

Timestamp: 1519767287

crashinglybeautiful:

“My theory is - we don’t really go that far into other people, even when we think we do. We hardly ever go in and bring them out. We just stand at the jaws of the cave, and strike a match, and ask quickly as if anybody’s there.”

— Martin Louis Amis. With thanks to Whiskey River.

litafficionado:

“Poets don’t drive. Never trust a poet who can drive. Never trust a poet at the wheel. If he can drive, distrust the poems.”

Martin Amis, from The Information

goingmads:

I had all the characteristics of a human being—flesh, blood, skin, hair—but my depersonalization was so intense, had gone so deep, that my normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning.

Timestamp: 1519767208

quotemadness:

“Life is like a typographical error: we’re constantly writing and rewriting things over each other.”

— Bret Easton Ellis

(via quotemadness)

qdefinity:

“You know what I mean- the couples, the men and wives you see walking along together. The tall fat woman, and the short scrawny men. The teensy little woman, and the big fat guys. The dames with lantern jaws, and the men with no chins. The bowlegged wonders, and the knock-kneed miracles. The… I’ve laughed- inside, that is- until my guts ached. It’s almost as good as dropping in on a Chamber of Commerce luncheon where some guy gets up and clears his throat a few times and says, “Gentlemen, we can’t expect to get anymore out of life than what we put into it…” (Where’s the percentage in that?) And I guess it- they- the people- those mismatched people- aren’t something to laugh about. They’re really pretty tragical. They’re not stupid, no more than average anyway. They’ve not tied up together just to give jokers like me a ban. The truth is, I reckon, that life has played a hell of a trick on ‘em. There was a time, just for a few minutes maybe, when all differences seemed to vanish and they were just what each other wanted; when they looked at each other at exactly the right time in the right place and under the right circumstances. And everything was perfect.”

— The Killer Inside Me, Jim Thompson

planetfool:

Wednesday.

…she said something that was funny as hell, and yet it was kind of sad. She said it sort of thoughtful and soft-voiced, as though it was the most important thing in the world.

“That was my last good pair of stockings, Dolly. You ruined my only pair of stockings.”

Timestamp: 1519767117

themoonandtide:

“A man can break every commandment and the world still will lend him a hand Yet, a girl that has loved, but un-wisely is an outcast all over the land”

— Bonnie Parker